This ledger separates documentable migration from looser resemblance. “Exact” entries are supported by a prior publication, title, credit or repeated phrase. “Conceptual rhyme” marks a relation that is useful but should not be mistaken for proof of direct derivation.
| Relation | Date | Material | Earlier evidence | EGOT destination | What can safely be said |
|---|---|---|---|---|---|
| Exact / method | 2022-01-07 | World Puzzle | Dual release note | Track 50 | Earlier release note documents MZM collaboration and composition through dance, movement and improvisation. |
| Exact phrase | 2022-02-01 | “Squeezing clips like a Spotify payout” | Idol Singer of an Empty Hour | Track 45 | The line reappears verbatim in “J.R. Rider.” |
| Exact phrase | 2022-02-25 | “WAR IS BUSINESS / BUSINESS IS GOD” | Mars Swings a Well-Tuned Racket | Track 41 | The aphoristic chain becomes part of “Imperial Blood.” |
| Exact / method | 2022-04-02 | M.M.T. | M.M.T. (Pre-Kingdom Come) | Track 4 | Earlier publication names Speculative Music, the nearest-notebook lyric method and Magnum Hopeless. |
| Exact title | 2022-04-19 | Kawakubo (Prosperity Gospel) | 2022 Kawakubo release | Track 51 | Earlier streaming release; described as intuitive and primitive in method. |
| Title-stem | 2022-04-26 | “Durban poisoned…” | The Tell-All Heart | Track 24 | A prose phrase supplies the distinctive Durban/poison construction later used in the title “Durban Poison Review.” |
| Exact preview | 2023-08-01 | International Mail | Six Television Commercials… | Track 12 | Introduced as an unreleased track. |
| Exact preview | 2023-08-01 | Avalon-upon-Avon | Six Television Commercials… | Track 13 | Described as a rework of an older track, shortened by three minutes. |
| Exact preview | 2023-08-01 | Hostilis | Six Television Commercials… | Track 3 | Previewed as unreleased and LIVE. |
| Exact preview | 2023-08-01 | Farmer in the City | Six Television Commercials… | Track 46 | Scott Walker cover appears in the 2023 media bloc. |
| Exact word | 2023-11-25 | Haunted Ohio | Après moi, l’illusion | Track 2 | Appears as the name of a rap persona before becoming a track title. |
| Exact word | 2023-11-25 | Cicisbeo | Après moi, l’illusion | Track 22 | Appears in prose before becoming a track title. |
| Exact preview | 2023-12-07 | Getting Rich Was Easy | A Framed Scream | Track 10 | Named as an unreleased JQD & Joan Darwin piece before the album. |
| Exact phrase | 2024-02-19 | “This is not a song” | Burn Me For Warmth (ANICONISM) | Track 48 | The sentence precedes the release and becomes the premise of “Nada Song.” |
| Exact phrase | 2023-10-06 | “call it on the fly” | SPACE FLYING TIGER 003 | Track 35 | The phrase recurs inside “The Long 20th C.” |
| Project bridge | 2024 | “A Scaled Alps Production” | Scaled Alps | Track 52 | The final track is explicitly credited as a Scaled Alps production, with Anthony Percoco instrumentation. |
| Motto / frame | pre- and post-2024 | MUNDUS VULT DECIPI | Mundus vult decipi | Liner p. 70 | A recurring corpus motto becomes the literal last page of the book. |
| Conceptual rhyme | 2023 → 2026 | LOSTCOAST SUNKCOST / Suffering Coast / Sunk Coast | EGO TERRORISM (2023) | Track 11 / Lost Eros | A repeated coast/cost/sunk cluster crosses from wordplay to track title and later fictional geography; the relation is phonetic/semantic rather than an exact-title migration. |
Why direction matters
The same phrase can function differently depending on which medium receives it. A notebook line made musical is not the same event as a song title later reused in prose. The ledger preserves chronological direction so that recurrence remains informative rather than becoming a cloud of undifferentiated “connections.”