Overview

It is unusually explicit about its own future reuse. Fragments can be left intact, extracted, printed, destroyed, recombined or turned into other objects; the work anticipates being treated as source material rather than a sealed publication.

Form and structure

Its sequence of invocation, manifestation, negation, transformation, revelation, banishment and seal makes reconstitution part of the work's internal logic.

Connections

Selected quotations

  • “Do you want to see what god sees?”
    — Cremation Diamonds , 2025
  • “I need water not wine but it’s what I’ve got that’s wet.”
    — Cremation Diamonds , 2025 [direct prose / poetic prose]
  • “It all depends what you can and what you can’t take.”
    — Cremation Diamonds , 2025 [direct prose / poetic prose]
  • “I told you.”
    — Cremation Diamonds , 2025
  • “Everything I say is everything and you need to pay me.”
    — Cremation Diamonds , 2025 [additional portable selection]
  • “You left a life and you took a pic.”
    — Cremation Diamonds , 2025 [additional portable selection]

More quotations from this work

Corpus fingerprint

Source footprint: approximately 2,754 words · 5 image elements · 2 embedded-media elements · 13 heading elements.

Strong lexical motifs: Mouth, Voice & Utterance · Gods, Devils, Ritual & Magic · Clothing, Fashion & Luxury Objects · Eyes, Looking & Witness · Weapons, Crime & Coercion.

Nearby publications: ← SKLĒROS/ANTI-SKLĒROS   ·   Night Blooming Jasmine (𝟤𝟨 𝘋𝘪𝘮𝘦𝘯𝘴𝘪𝘰𝘯𝘴) →

Lexical fingerprint

PUNKSONG PANKRATION [Distinctive construction] · CHEMICAL RECREATION [Distinctive construction] · may-or-may-not-have-been [Sentence-compound / hyphen engine] · pankration [Refunctioned / externally established term]

These are source-attested formations indexed for lexical distinctiveness; inclusion does not assert global first use.

Structure and contents

Publication footprint: approximately 2,927 words · 5 image elements · 2 embedded-media elements · 11 distinct heading markers.

Visible structural markers

  • (for hip-knowers)
  • (played simultaneously)
  • STIHILIST
  • stop paying attention.
  • NOW MY REPUTATION’S FUCKED.
  • (Dubstep music plays to no one in a piss-smelling bar.)
  • I SAID
  • COME HERE, NOW.
  • SIT.
  • DON’T —
  • I don’t give a FUCK.

Named material with encyclopedia nodes

James Quentin Devine · Anthony Percoco · Joan Darwin · Hollywood · Los Feliz · STIHILIST · Silencio

Disturbance profile

sex / erotic · violence / death · crime / drugs · sacred / profane · grotesque body · verbal abrasion · reader hostility

This profile marks formal pressure points rather than moral positions. Context matters: hits may come from narration, dialogue, quotation, parody, self-description or fictional documents. See Transgression & Disturbance.

Publication

Published 2025-03-04. Read the original publication ↗