Worked and unworked violence
Wrestling provides one of the clearest models: performed violence can be fake while the skill, danger and bodily consequence are real. That distinction migrates outward into politics, crime, propaganda and interpersonal threat, where theatricality does not make coercion harmless.
Violence as infrastructure
Guns, police, military systems and security apparatuses often appear not as exceptional emergencies but as parts of the environment. The work is interested in what happens when a society treats coercion as background logistics and then insists that the resulting order is natural.
The damaged body
Violence also returns the work from abstraction to flesh. Bruises, blood, broken cars, exhausted performers, injured bodies and physical intimidation prevent systems-talk from remaining bloodless.
Selected works
- 2 THA FAKEZ THA LIARZ & THA HATERZ
- FutureSport 90-90
- Richard (A Third)
- Burn Me For Warmth (ANICONISM)
- Actual Attack Documentation
- A Kid Named Lost in Death City
- Slain Hero
- I Drank What?
Crossings
Wrestling / Kayfabe as Craft Model · Body, Sensation, Movement & Damage · Institutions, Law, Surveillance & Control