This chronology describes formal drift, not hard periods. Earlier methods continue after later ones appear, and the boundaries are deliberately porous.
2021 — constitutional / interface
Early work repeatedly asks what a work, author, medium or institution is allowed to be. ADVENT supplies a constitutional layer: alternate institutions, naming systems, reader agency, interfaces and the first strong statements about self as system.
Entrance: ADVENT 1.1: The Apophoenix
2022 — expansion / method
The corpus explodes outward into serial fiction, Scaled Alps 2.x, AI image experiments, cut-up, media criticism, disability writing, commerce, corrupted language and increasingly explicit procedural methods.
Entrance: No Music On
2023 — institutionalization / serial chassis
Recurring wrappers become sturdier. SPACE FLYING TIGER, FutureSport, EGOTERRORISM prehistory and synthetic cultural documents show fictional worlds behaving as if institutions already exist around them.
Entrance: FutureSport 90-90
2024 — narrative / image crisis / synthetic document
Long fiction, ANICONISM, Richard, Peak Arousal, synthetic profiles and archival games put image capture, personhood, memory and documentary authority under sustained pressure.
Entrance: █𝐁𝐮𝐫𝐧 𝐌𝐞 𝐅𝐨𝐫 𝐖𝐚𝐫𝐦𝐭𝐡 (ANI̶C̶O̶N̶ISM)𝟚𝟟.
2025 — compression / pattern / obsolete skill / unmediated body
The work increasingly names its own procedures—Quantum Entendre, SKLĒROS/ANTI-SKLĒROS, bodily and movement methods—while Lost Eros and San Lucero become more civic and record projects become more tightly cross-medium.
Entrance: █Quantum Entendre
2026 — operationalization / civic-procedural synthesis
Methods become usable systems: Prepared Piano, Operational Beauty, attack documentation, Death City, I Drank What?, LTAP and the wiki itself convert earlier propositions into protocols, civic worlds, records and public infrastructure.
Entrance: PREPARED PIANO: WALK 00001
What changes across the six years
The broad movement is from declaration toward operation: early works name possibilities, middle works proliferate forms and institutions, and later works increasingly build systems that can be used by bodies, readers, performers, cities or other works. This is not a story of increasing coherence; the later work often becomes more fragmented at the surface precisely because its underlying chassis has become stronger.