Explicit numbered chassis
ADVENT 1.1–1.14
Fourteen explicitly numbered works beginning with The Apophoenix. ADVENT is less a conventional story serial than a constitutional/interface chassis whose later installments continually link backward into the project’s own developing vocabulary.
PAGODA BENZ 1.1–1.2
Two numbered fiction installments centered on Pagoda Benz, the Rat, social reality-testing and a rapidly enlarging nonhuman/nightlife world. Its continuity explicitly escapes into Scaled Alps 2.1.
Scaled Alps 2.1–2.4
A four-part project/persona series. The crucial continuity fact is in 2.1: SCALED ALPS ARE A PART OF THE PAGODA BENZ DISTENDED UNIVERSE.
SPACE FLYING TIGER 001–005 + later continuations
Five numbered wrestling stories are followed by two explicitly labeled SFT sections hidden in later publications. Read as a whole, they form a multi-installment career narrative centered on Vacío Arpista.
ɘPISODI 1.1
The title opens a numbered chassis, but only one installment is present in the published sequence represented here. The open numbering remains visible without treating unpublished episodes as if they existed.
Documented continuations without matching titles
| Arc | Works | Evidence |
|---|---|---|
| MY TRAIN WILL COME | A Scroll Unfurling → Sameday Midnight | Later source explicitly links back “as promised” and resumes same characters/situation. |
| King Baggot | Jumbo Dumbsludge / NEVER FORGET → INSTRUCTIONS NEVER... | Baggot mythology continues into Pseudobaggot and Hollywood underworld. |
| Suna Ralos / Cat of Creases | SUNA RALOS... → Cat of Creases | Later work repeatedly links the earlier post and frames itself as sequel/retelling material. |
Distributed narrative / release chassis
The Strange Case of the Electronic Lover unfolds across pre-release song publications, narrative/video proposals, the official four-track release and later live performance. The “series” is therefore a release apparatus rather than one prose sequence.
Series is not theme
Recurring mortality, money, cameras, occult language or similar characters do not make works sequels. For structural rhymes use Recurring structures; for subject matter use Themes; for actual world/character continuity use Story Worlds.