| Dimension | Opening / contents |
|---|---|
| 𝐼. | BARBAROSSA “Just released, JQD’s ‘Barbarossa’ is a stark and minimal exercise in beat-building that echoes strains of Swiss avant-pop experimentalists YELLO[…]featuring rowing counterpoint delivering a broadly applicable message and a… |
| 𝐼𝐼. | LOLLY GAGGING I want to put words in your mouth. Maybe more. Seeds on your tongue. Some expression. I want to make you up. Then put make-up on you. Lightwaves… |
| 𝐼𝐼𝐼. | LABAN If you don’t use a muscle you lose it. ( atrophy ) If you don’t occupy space it’s gone. ( catastrophe ) GOOD-BYE . Your wingspan your height. (… |
| 𝐼𝑉. | SIX EYES TWO HEADS |
| 𝑉. | CARNIVAL ANIMAL This is a world of animal torture. Hairless |
| 𝑉𝐼. | DESTRUCTO My phone’s been broken for a couple weeks. I don’t really care. It’s quiet here. On the balance, I like it. Less anxiety. But I get to feel like… |
| 𝑉𝐼𝐼. | THE SOLDIER AND THE SYCOPHANT Data points and you'll follow. Do as they say. For tomorrow. |
| 𝑉𝐼𝐼𝐼. | FLOODING nonsensical noise discussion will increasingly pervade an evernarrowing and siloed expression space as critical decisions are made in the background by post/in/anti-human elements diminishingly subjected to the threat of… |
| 𝐼𝑋. | SOME THOUGHTS ON NOT BEING DEAD YET More than anything else my biggest takeaway from All This is how much stupider it all is than my lowest misanthropic child expectations.… |
| 𝑋. | THE ELECTION RESULTS ARE IN AND SOON YOU WILL BE ILLEGAL There’s nothing everyone likes more than “ I told you so ,” Stern intoned: “ I think you should… |
| 𝑋𝐼. | BARBAROSSA (VIDEO EDITION) Subscribe now Share |
| 𝑋𝐼𝐼. | TWO QUOTES TO CONSIDER (A SAMPLE TRAY) “Everything was orderly, there was nothing to confuse me, there were no comic strips, no radio, no motion pictures or moronic succession of… |
| 𝑋𝐼𝐼𝐼. | POETRY IS WHEN THE LINES BREAK, MOTION IS WHEN THE GROUND DOES I am thinking of how many times this poem Will be repeated. How many summers Will torture California… |
| 𝑋𝐼𝑉. | THE MISREMEMBERED MIND F-FIRES IN T-TIME TO THE G-GONG OF THE SKINDRUM AND THE C-C-CRACK OF THE SPINE A pastime’s play. Open wide. A pasture plain. Set aside. A picture… |
| 𝑋𝑉. | HOMO LEVITAS (THE EMPTY INEVITABLE) The urgent sea onward ever. Surge. Ages of sail. Swell. Wail. Sirensong. Often on. A primordial shore to climb upon. Scrapedbelly to four legs, four… |
| 𝑋𝑉𝐼. | THEY ARE NOT ATTACHED TO LIFE, HAVING DRAWN OUT CRAVING AT ITS ROOT, THEY ARE NOT ATTACHED TO DEATH, HAVING CARVED OUT DRAWINGS IN THEIR YOUTH Meditation’s measure. Entries in… |
| 𝑋𝑉𝐼𝐼. | LAID CURSES Some weeks ago I put a curse or perhaps a hex on a realtor. He’d meddled in my affairs foolishly. Come out to confront me like an angry… |
| 𝑋𝑉𝐼𝐼𝐼. | NIGHT BLOOMING JASMINE (DEMO) Subscribe now |
| 𝑋𝐼𝑋. | COMMITMENT You’re something to behold. In a 5150 sort of way. Float the 151. You’re never gonna work in this town again, kid. You never did. |
| 𝑋𝑋. | A DEATH WITHOUT SURPRISE Don’t be lazy. You’re gaining on you. You’re straining your heart. Near-death naive. |
| 𝑋𝑋𝐼. | THE VAPID TYPIST Entering characters. Exiting apertures. I’m an amateur. In the 🐍ssense of a lover. Ll👅ick it up. UNDER-cover of NIGHT, refactor frefactor refactor fractured actors and cracked actresses… |
| 𝑋𝑋𝐼𝐼. | RX/X A fixation on fiction. All my ratings in restriction. Are you sure you’re old enough to watch? Are you long enough to listen? |
| 𝑋𝑋𝐼𝐼𝐼. | PHANTOM PAIN You’re concerned for the sins of the fathers. Well guess what? I didn’t have one. I’m not worried for what you’re worried for. |
| 𝑋𝑋𝐼𝑉. | INFERNAL ESCAPE All hell broke loose. I guess you shouldn’t have gathered it all in one place. Distribute it more evenly next time. |
| 𝑋𝑋𝑉. | HARD PROMENADE She soldiered on. Slinking and sauntering. In broken shoes. Slipper-flats. Bruised. The animal looked me in the eye said: |
| 𝑋𝑋𝑉𝐼. | SETS You can tell which songs are the handwritten ones. Blockletter curses. Clumsy and dumb. The wells spilled and the inks overrun. The twilight timed with the sink of the… |
The suite is a useful example of cardinality functioning as an editorial container rather than as a claim that all twenty-six units share one subject. See Sixteen: a Patternicity Test and Number, Measure & Pattern.