Section A — Twelve demos

  1. Granny Takes a Trip (C.Y.O.A.)
  2. Dead West → Gone South
  3. Stihilism
  4. Liveleaks
  5. That Hideous Strength
  6. The Ghost of Christmas
  7. Horus
  8. Mr. Blackwell
  9. Hurt (Glitch Edit) a fragment/flip by 𝑆𝐶𝐴𝐿𝐸𝐷🦎🐊𝐴𝐿𝑃𝑆
  10. Lightleaks
  11. Jolie Laide
  12. Who Shot Ya? (Versace Sting)

Section B — Nine Little Cantos That Could

  1. REALEST SHIT I EVER WROTE
  2. HUMOURS
  3. GONE
  4. MONEY SAID
  5. HYPERSTIMULUS
  6. ONE TIME (THE SUM OF MY CONCUSSIONS)
  7. MISATTRIBUTED
  8. YOU KNOW (PROFOUND)
  9. DARK AND CALM

HYPERSTIMULUS

The fifth canto asks the reader to imagine a party named HYPERSTIMULUS in which unrelated songs overlap and everyone ever encountered can appear in duplicate or triplicate. The imagined party behaves like a social version of the publication itself: too many channels made simultaneous.

Sections C / D

The later container turns toward photographic/evidentiary material and additional fragments. The important archival fact is that the publication holds multiple internally named works whose identities do not appear in its external title.